Lance of Earth and Sky

I think I've mentioned before how I like to see authorial “progress” from one book to the next. Seeing them get better in at least one aspect of their craft with each progressive offering to the reading masses gives me hope that there will, someday, be more authors that I love to read. In general, I think that most authors fall into this category. It's hardly ever that I find one that seems to have regressed further from the goal that I think each of them should strive for: greatness in storytelling. As I'm sure you can guess by now, this book is one of those.

LANCE OF EARTH AND SKY is the second in the planned Chaos Knight trilogy and continues the story of Vidarian Rulorat and the empire of Alorea. Mostly, however, this is a story about the empire, as Vidarian factors so little in what actually happens.

After the end of SWORD OF FIRE AND SEA (spoiler for the first book!), a dimensional portal of sorts has been opened and all sorts of chaos has been spread across the land. The natural magic present in the world has quickly faded away and been replaced by an elementally-based magic system that feels very much like Wheel of Time run through the rule-based powers of Frozone (Samuel L. Jackson) from the Incredibles. Use the element—water, air, fire, earth—that is available and channel it into streams that you can ultimately weave together and blast people with.

The replacement of this magic has upended the entire world, killing off a large number of leaders that have been magically lengthening their lives. In the wake of this chaos, the trading company that has been dictating what the government of Alorea was doing, begins to take a decidedly more direct route to governing. Additionally, the opening of the gate has brought in magical items and constructs that have been absent for centuries. The changes that have come in the wake of the open portal are constantly reiterated throughout the book. Almost like a mantra.

Ohmmmm...

Sorry, where was I? Oh, yes. Regression.

The crux of the problem with the book was that where SWORD was very linear but adventurous, LANCE is very linear and pointless. The main character, instead of doing anything of import, spends nearly every waking moment meeting someone new, introducing himself to them, drinking another cup of kava, or listening to other people talk. It was uber-frustrating. When he finally does do something vaguely interesting, the outcome feels more like he did it so that the author could showcase another part of the world-building.

If anything, further world-building seemed to be at the heart of the book, and yet none of it really did anything to develop the world. Thus, instead of the presentation of the world feeling like an oil slick riding across the surface of an abyss-deep ocean (good), it comes across more like a puddle of water spread across the concrete (severely lacking).

There were a couple aspects of the story that stayed consistent between the two books: there are still a ton of characters surrounding Vidarian, nearly every one of them able to communicate telepathically. About half of them this time can shape-change as well though. The ending was also incredibly lacking in impact again. Incredibly, the largest-seeming event in the entire book is given away on the back cover. There was very little in the book that held what I like to see, and that's a solid reason in my mind to stay away from the rest of this series.

On the up-tick, if you're looking for a book to just stroll through, with no real thinking necessary, and give you a great way to suck up a few hours, grab this one. It'll definitely be good for that.

Recommended Age: 15+
Sex: None
Violence: Very low key, no gore
Profanity: Very mild and infrequent

Want it? Get it here.

The Sea Watch

Over the last couple of years, Adrian Tchaikovsky has become one of my favorite authors. Very few authors actually take their setting and story and move it forward technologically. In Tchaikovsky's Shadows of the Apt series, we get exactly that, along with huge amounts of character progression, thrilling large-scale battles, and intense small-scale fights.

THE SEA WATCH is the sixth book in this projected 10-book story. I guess the best way to describe it is by saying THE SEA WATCH, in a way, is the Shadows of the Apt series 20,000 leagues under the sea. The results overall are great, but that doesn't mean the novel is absent some missteps.

THE SEA WATCH is Stenwold Maker's book. By this point in the series he feels he has lost nearly everyone. For all the good he has done, the people of the Collegium look at him like he is a warmonger and a lodestone for misery. Then, when ships start going missing, Stenwold is the only one who listens and sees the threat.

The first thing to point out about THE SEA WATCH is how slow it is. This is easily the slowest novel in the series due in large part to the politics of the first 1/3 of the novel. Since the novel is almost entirely from Sten's PoV this isn't surprising, but it still is noticeable. There are lots of meetings and behind-closed-doors discussions. As a fan of the series, if you know this going in, it likely won't bother you.

Another reason this book feels so slow is due to how much explanation is needed in the midpoint of the story. Without getting into too many specifics, this novel is about, unsurprisingly, sea-kinden. Throughout this series we've been introduced directly--or in passing--to so many kinds of kinden. But that was done over the course of five novels. Now, we are introduced to an equal number of sea kinden in ONE book. These new people, their cultures, the way they live, their own abilities, and the unique dangers in the water. It's SO MUCH to digest all at once that the story bogs down.

I feel I should clarify that last bit. Yes it bogs the story down. However, it is still completely fascinating. Up at the beginning of this review I talked about how the evolution of the technology--that progression of setting and world--was so awesome in this series. THE SEA WATCH does something similar, but in the sense of giving the readers the piece of the puzzle we have been missing. What happened when the societies when from inapt to apt? What was that change like? We get this picture from Sten's eyes as he sees the sea-kinden go through this evolution. Absolutely, positively fascinating.

There are some chunks in the middle of the novel that seem repetitive, and maybe could have been condensed to make the pacing a tad better, but overall I was pleased with this novel. The banter between Stenwold and the Spider Teornis was fantastic, and the subplots dealing with the Spider held so much weight. Just the story being told here, and the spy-novel undertones make THE SEA WATCH a great read.

And then that ending...man. Stenwold showing just why he is soooooo awesome. That final bit alone made the entire novel a must-read.

THE SEA WATCH is one of the better novels in the series, and it shows how much Tchaikovsky has grown as an author. As a huge fan of Tchaikovsky's work, I was not let down in the least. In fact, I was blown away by how massive he has made this wonderful world. Not to mention, I love Tchaikovsky's characters and the way they have grown over time. I cannot wait to see were the series goes from here.

Simply put, The Shadows of the Apt is a series that every reader of Fantasy should be devouring.

Recommended Age: 16+
Profanity: Some, but not much.
Violence: Oh yeah. Tchaikovsky does it right.
Sex: Nope.

Look, you really should be reading this series. It's one of the most unique out there. Here are your links:

EMPIRE IN BLACK AND GOLD
DRAGONFLY FALLING
BLOOD OF THE MANTIS
SALUTE THE DARK
THE SCARAB PATH
THE SEA WATCH

Sharps

Anyone out there like movies that are based on actual historical events? I think there's something to be said for them, but in general I find that regardless of how much I love them, the endings always end up being particularly less that I had anticipated. This book was totally like that. Steve's going to love this, because this time around, I totally agree with his overall opinion of Ms. Parker's latest offering, SHARPS: full of unfulfilled promises. I do still disagree that this description applies to the Engineer Trilogy, but in this case, he's totally spot-on.

SHARPS is another stand-alone from the veritable K.J. Parker, an author whom the reading public still knows so little about. It's another book about war, and what people are willing to do to get what they want. It's another book full of sarcasm, and multi-hued characters. It's another book of swords and mayhem. And if she didn't write it so dang well, I probably wouldn't have liked it as much as I did.

But I did. Cause, boy, was it fun.

Permia and Scheria have been at war with one another for the last forty years. Their history is chuck-full of battle and death and betrayal and hatred, but the two countries are on the mend now, and in an effort to try and bring closure to the differences between them, to help being them together instead of driving them further apart, a fencing tournament has been organized, and four of Scheria's finest have been dispatched on a tour of Permia in which their techniques and skill will be on display. Unfortunately, things don't exactly turn out for our heroes, our “bringers of peace” so to speak, because there are players in the background that aren't so keen on seeing peace between the two nations happen at all.

This was rather an intriguing novel, and one that I dove into with a good bit of fervor. I've always enjoyed Parker's novels – haven't read one that I didn't like yet – and this one didn't disappoint. It was full of sarcastic wit and dry, dark humor. I could hardly read for more than several minutes without finding myself laughing along with the story.

SHARPS is a bit of something new from Ms. Parker, as the story focuses upon several characters, instead of just a single one. Giraut is a playboy that has gotten himself into a bit of trouble; Suidas, is a war veteran with a very bloody past; Phrantzes, an aging fencing champion with more than just a little self-esteem problem; Addo, the son of a war hero, the Irrigator, who was responsible for drowning an entire Permian city; and Iseutz, the lonely girl on the team, of which we ultimately learn so very little.

In the beginning, this host of characters gives a very busy feel to the book, and at times it was difficult for me to distinguish between each of the male characters because of their out-of-the-ordinary names and the fact that all of them fought with swords. Parker has always been good for having unique names, but with the multiple POVs this time around, it became a bit distracting at times.

One of the aspects that I've always loved about Parker's writing is her level of detail and that feeling like I'm just keeping my head above water when it comes to understanding the larger world behind the story and characters of interest. There's more there behind the story than what I'm reading. This is helped in some small measure by the fact that this story, as well as her others, seem to fall into the same “world”, in fantasy-speak. Even though each of the stories told in her novels are probably spread from each other by large quantities of distance and time, there are bits and pieces that come through occasionally to remind you that they are all indeed connected to one another by something much larger.

The pacing and development of the story were great. As each of the individual characters learn more about one another and each of their histories, the plot thickens. Also, as the fencing team as a whole learns more about the situation that they're in, and the citizens of Permia respond to events occurring within their own country, we get a larger sense of what is going on, and it made me really excited to get to the end of the book and find out how it'd all play out.

Unfortunately, the ending wasn't anything like I'd expected. It wasn't a complete let down, but it was significantly more low-key. More of a this-is-how-everyone-turned-out kind of ending, which is what I've come to expect from movies that are based on historical events. Fiction is more exciting, in general, than history, and that's why I love Fiction! The author gets to decide the ending. And even though the ending of this one was a bit of a disappointment, I still have to recommend the book as a good read. I mean, I still tell everyone how much I loved the movie Valkyrie, and the ending of that movie was a complete bummer.

If you're a fan of Parker's stuff, pick this one up. It won't disappoint. If you're one that gets hung up on the "unfulfilled promises" thing or aren't a fan of hers in general, take a pass. SHARPS is very much a Parker novel.

Recommended Age: 17+.
Profanity: Infrequent, but strong.
Violence: Several injuries by sword and subsequent fixing by doctors, fairly grisly in a few parts.
Sex: Brief, but somewhat descriptive scene, at the beginning.

Want to give it a try? Here's your link:

SHARPS

Endurance

I like being proven wrong. Well, let my qualify that statement, because I hate being told that I'm wrong.  I do, however, enjoy being surprised by finding out for myself that something is not the way that I thought it was. After reading several short stories and a novel by Mr. Lake, I'd pretty much written him off as someone that I wouldn't enjoy reading any more of.  So having this book land in my pile was an interesting experience to say the least.  As with my most recent foray into Science Fiction, I of course felt obligated to read the first book in the series before I read this one. 

ENDURANCE is the second book in the "Green Universe" authored by the prolific Jay Lake.  I had previously read the first book in his "Mainspring Universe", MAINSPRING, and was less than enthused by what I found.  In essence, great writing, interesting characters, a decent--if slightly wandering--plot, with a horrible lack of an ending.  It is a tribute to Mr. Lake's prose and storytelling ability that he made me forget about that final point when I dove into GREEN and subsequently with ENDURANCE.

The main character of both novels is Green.  Her tale begins as she is sold at a very young age by her father to a foreign man from far across the sea.  She knows neither why her father has sold her, nor where she is bound--only that she doesn't want to leave her home, her family, or her Ox, Endurance.

Catch that reference?  Uh huh.  So did I.  Don't worry about it too much though, as it didn't make very much difference.

GREEN covers the tale of her life as she grows from youth to young woman within the confines of the Pomegranate Court where she is being groomed to be a trophy wife for the nobility of the cities of the Stone Coast.  The abusive teaching methods of her instructors, and her secondary, more lethal Pardine (cat-woman) instructor, mold Green into a woman that is both proper and deadly.  A wicked combination that some would like to exploit.  I loved the book right up until the end, when it took a serious turn into left field.  On Amazon, I found a wide array of reviews all across the board.  After thinking about it for a while, I came to the conclusion that the book was amazing, but lacked any kind of foreshadowing to support the ending.  I didn't necessarily hate what happened.  It was seriously just unexpected.  Despite the title of the second book.

ENDURANCE picks up pretty quickly from the end of GREEN, and deals with several of the political entities that Green interacted with in the first book as they converge upon her at the same time for reasons unknown.  Where GREEN was very intimately structured around Green and her life and growth, ENDURANCE becomes very wrapped up in how all these other various parties influence her choices.  She also has to deal with the consequences of several of the choices she made in the previous story.  One of those choices, has to do with her Ox, Endurance.

This was perhaps one of the facets of the story that I most enjoyed.  Seeing direct consequence to Green's ignorant and/or poor choices impact her life in this book solidified her character for me. Lake does a really good job with Green's character and the way that she interacts with the world around her.  It's so easy to get caught up in this story, and indeed that happened very easily for me.

It wasn't until I finished the book and stepped back that I got annoyed.  Because after all this story, do you want to guess what happened at the end?  Yup.  Big fat orange right over the first baseman's head. Another big "boo" from left field.  I was seriously annoyed. Again? Really? Argh! How am I supposed to like a book that doesn't have a decent ending? If the whole book is bogus, okay, fine. I'm not expecting anything amazing. But good book + a wth ending? How am I supposed to respond to that?  Reminded me of the frustration I had at the ending of PERDIDO STREET STATION by Miéville.  Then again, maybe I'm just jaded.  Fool me once, and all that jazz.

Reading these books has given me one thing though:  a realization that Mr. Lake is getting better.  I mean, he moved from the total lack of any ending at all to an ending that I completely didn't expect or understand.  The sad thing is that he has everything else that a great fantasy novelist needs!  So many ideas and skills to weave these tales that readers like me love to read.  If you can enjoy a book with a poor ending, seriously pick this one up.  If you're more of a reader like me, I'd give the guy another few passes or so.  He'll get it eventually.  Well, hopefully.  I really hope he does because this guy could be one of the greats.

Recommended Age: 18+ (GREEN), 14+ (ENDURANCE)
Language: Very little, but pretty strong at times
Violence: Physical violence, but relatively little blood or gore
Sex: A few strong scenes and references (GREEN) and a few references (ENDURANCE)

Interested?  Take a trip to Lake's Green-land:
GREEN
ENDURANCE

Kitty's Greatest Hits

Carrie Vaughn's first love was the short story, having published more than 50 in various Science Fiction and Fantasy publications over the years. Today she's best known for her Kitty Norville series, but KITTY'S GREATEST HITS represents Vaughn's considerable talents with shorter fiction. This is a compilation of mostly previously published works, and a few new pieces.

The majority of the stories are Urban Fantasy, but three, "A Princess of Spain," "The Book of Daniel," and  "Conquistador de la Noche" all feel like historical fiction. "Princess" asks the question about Catharine of Aragon's marriage to the crown prince of England--the one who was sickly and died to pass the throne to his brother Henry--and his real cause of death. "Daniel" is an entertaining retelling of the traditional biblical story. If you're familiar with Rick from the Kitty Norville series, then "Conquistador" gives us a history of this mysterious vampire.

The rest of the shorts all take place in the Kitty Norville universe, but only four of them with Kitty as the PoV. "Il est Né" takes place on a lonely Christmas Eve while Kitty is at a diner and comes across a lone wolf who's been recently turned. As usual Kitty takes it upon herself to help out those in need, at no little danger to herself. "Kitty and the Mosh Pit of the Damned" is a fluffy piece, almost feeling like it was written just for the flair of using the title. Still, it's entertaining in its own Kitty way. "Kitty's Zombie New Year" has much the same flavor, with Vaughn adding her own narrative to the current zombie fervor. "Winnowing the Herd" is a brief and amusing viewpoint of Kitty, taking place before KITTY AND THE MIDNIGHT HOUR.

Non-Kitty stories include "Wild Ride," T.J.'s origin story, where Vaughn addresses metaphors regarding lycanthropy as disease and HIV and lycanthropy as identity. Then there are the erotic "The Temptation of Robin Green" and "Life is the Teacher" where human-paranormal romance burns pretty hot...but don't necessarily end well. "You're on the Air" feels like an amusing anecdote that being a vampire doesn't mean you completely escape the vagaries of the human existence.

The stories here that interested me most, however, are the ones about the fascinating Cormac, Kitty's hunter friend from the series. Since the series is from Kitty's PoV it is a rare treat to see things from another character's viewpoint. It includes the origin story "Looking After Family" where Cormac comes to live with his aunt and uncle, and cousin Ben (yes, that Ben). "God's Creatures" where we follow Cormac on a job with a twisty ending. But the pièce de résistance is "Long Time Waiting" where we finally learn about what happened to Cormac while he was in jail and where Amelia comes from.

All the shorts are told with Vaughn's straightforward storytelling, and despite their brevity she draws her characters with charm and individuality. This compilation will particularly interest Kitty Norville fans, but newcomers will still enjoy the stories and characters.

Recommended Age: 14+ (except for the two stories with sexual content, which would be 17+)
Language: A couple handfuls of the harsher stuff
Violence: Werewolves, vampires, and hunters means death and blood and gore, but it isn't gruesome
Sex: "The Temptation of Robin Green" and "Life is the Teacher" both have detailed scenes; the others have a mild reference or two

Get it here:
KITTY'S GREATEST HITS