Blue Remembered Earth

I was a little late to get on board with Alastair Reynolds. I only picked up a book of his two or so years ago, but once I found him he quickly became one of my favorite authors. He writes the type of book I love: big, grand space operas with vast ideas that can take place over thousands of years and span across galaxies.

Recently I’ve tried to get my dad to try Reynold’s books out. He kept asking me which book of his to start with. I honestly didn’t have an answer. It seemed like everything he had written (that I had read) had some great stuff in it. I enjoyed all of his books.

Sadly after reading BLUE REMEMBERED EARTH, I can tell him which book not to start with.

While BLUE REMEMBERED EARTH had some great moments and certainly showed that this series can become something really cool and special, this book sadly wasn’t up to the usual standards that I hold Reynolds too. Which isn’t to say it’s not a good book. It really is. It’s a lot of fun and would be a great book by some authors. But it’s not Reynolds best in my opinion.

Here’s the blurb from Amazon: One hundred and fifty years from now, Africa has become the world’s dominant technological and economic power. Crime, war, disease and poverty have been eliminated. The Moon and Mars are settled, and colonies stretch all the way out to the edge of the solar system. And Ocular, the largest scientific instrument in history, is about to make an epochal discovery…

Like I said earlier, the book is fun, and I really did have a good time reading it. It just didn’t hold up after the fact. You know what I mean? There are those books that you read and read and enjoy, but then after you’ve put it down, it kind of wanders out of your head. You don’t think about it much, it doesn’t leave a big impression on you. This is one of those books. It just didn’t stay. And even now looking back on it, I can see some really fun scenes and some big ideas, but that’s all it is, fun scenes. Not great characters for me, not a compelling story, just moments.

The weird thing about BLUE REMEMBERED EARTH is the end of it really did leave me wanting to read the next one. The book, in and of itself, didn’t blow me away but DID manage to set me up to where I’m anxious about reading the next in the series. With most authors I would be wary. I naturally ask myself, "Sure he set me up for some cool things to happen, but is he going to come through on those ideas?" Or, "Is the next book going to wow me where this one only showed the potential of wowing me?" I’ve read enough of Reynolds' work to believe that this book was just the slow set up to something big and amazing to come. I could look back on this book as the beginning of a great epic story.

Like I said, with someone of Reynolds caliber, I’m willing to give him the benefit of the doubt. For now, BLUE REMEMBERED EARTH falls right on the line of "Mediocre" and "Like", but good follow ups could make this the start of a fantastic series.

Age Recommendation: I dunno, 14+? 16+? There’s nothing really bad here, it’s just a bit complex and full of science explanatory stuff.
Language: Not much that I remember
Violence: Nothing to be upset about
Sex: I don’t remember any. Maybe referenced, but that’s about it.

Want to read it? Here is your link: BLUE REMEMBERED EARTH

Feedback

Did you read VARIANT by Robison Wells? If you answer, "Yes" then by all means read on. If you answer, "No" then STOP. Just stop. Go on Amazon and buy a copy, read it, and then you can come back to browse this review. VARIANT is one of the best YA books of 2011, far superior to the YA fiction behemoth that is THE HUNGER GAMES in my not-so-humble opinion. Now here is the highly anticipated sequel, FEEDBACK. I'm going to try and give away as few spoilers as possible but if you haven't read the first book please check out our review of VARIANT here instead of continuing on.

Here's the Amazon book description (if you find this spoilerish send them your hate mail): 

Benson Fisher escaped from Maxfield Academy's deadly rules and brutal gangs. The worst was over. Or so he thought. But now he's trapped on the other side of the wall, in a different kind of prison. A town filled with familiar faces. People from Maxfield who Benson had seen die. Friends he was afraid he had killed. They are all pawns in the school's twisted experiment, held captive and controlled by an unseen force. And while Benson struggles to figure out who, if anyone, can be trusted, he discovers that Maxfield Academy's plans are darker than anything he imagined—and they may be impossible to stop.

VARIANT was like a beautiful thriller conglomeration of THE HUNGER GAMES (the ideas not the execution), LORD OF THE FLIES, and the psychological horror/thriller film CUBE. It was streamlined and focused and creepy and brilliant. Reading it brought to mind the controversial Stanford Prison Experiment, and even bits of ENDER'S GAME. Too much name dropping? Probably, but you'll live. The point is that VARIANT kicked serious butt and because of this my expectations going into FEEDBACK were incredibly high. By now you've probably noticed I do this thing where I build up expectations that can't possibly be met.

FEEDBACK starts off right where VARIANT left off. Benson and Becky have escaped the Academy but are surrounded by miles of forest. They are actively being pursued and have no idea where to go or what to do when they get there. Becky is badly injured. And then Benson discovers that some friends he thought dead are actually very much alive.

The sense of mystery and paranoia that permeated life at Maxfield Academy in VARIANT was the most compelling aspect. Student life at Maxfield was this strange mixture of clashing gangs, constant surveillance, and paintball. Yeah, I said it. Paintball. Benson and Becky have escaped all this and made it to a town inhabited by friends they previously thought lost. So Benson and Becky trade one kind of prison for another. In FEEDBACK there are no bars, no rules, and no gangs. And that is largely where the problem is. This newly introduced town just comes across as a sort of limbo, much like that long and tedious camping section of that last Harry Potter book. There are no gangs but the town is divided into two factions: those dedicated to escaping and those who have resigned themselves to their fate. Unfortunately the faction dynamics aren't explored to a great degree. The psychological themes of VARIANT that I found so absorbing (the banality of evil) are mostly missing in FEEDBACK. There is however one scene that really struck a chord with me, a sort of trial by mob that carries the same dark weight as the first book.

The same could be said of the characters. I was already a fan of Benson. Yes, when this series gets made into a huge blockbuster movie you will likely catch me wearing a "Team Benson" t-shirt. Don't judge. Benson struck me as a great YA character. He's not overly angsty. He's not a vampire/werewolf. He takes charge of his own fate. He's a troublemaker and he wants to be free. He's still great in FEEDBACK but he gets another degree of depth as he tries to cope with the guilt and responsibility that comes with the consequences of the end of VARIANT. The rest of the cast falls a little flat though in the sequel. So many of the characters have returned from the first book that there just isn't enough time spent developing or examining relationships. Returning characters feel vaguely like strangers and new characters feel even more indistinct.

The good news is that readers will gets answers. The ending feels rushed (and a bit contrived) after so long spent hiding in the town but Wells does provide an answer to the big question. Some readers are bound to take the reveal better than others, and I'm sure some already suspect what it may be. Those who took the twist of VARIANT in stride will be fine. Those who didn't probably won't. I'm still considering the implications of the finale.

I'm disappointed and it's not even because FEEDBACK is a bad novel. It's not a bad novel. I recognize the things I love about the first book in it. Benson is a great character and I was very invested in how his story turned out. I love the thriller elements of this setting Wells has created. FEEDBACK needs more. More character development, more exploration of the themes, and more time spent on the conclusion. Additionally, the clarity of writing just wasn't as clear in the sequel as it was in the original. VARIANT proves that Wells has the talent for all of this, FEEDBACK is just lacking. Then again it could just be my expectations tainting things. Regardless, if you haven't read VARIANT and chose to disregard my initial warning GO BUY IT and then you can decide whether or not to read the sequel.

Recommended Age: 14+
Language: Very, very little. Almost none.
Violence: Yes, some...sci-fi violence and some more disturbing violence.
Sex: Nope.

Buy VARIANT here.
Buy FEEDBACK here.

The Broken Universe

Do you guys know who Paul Melko is? No? Then let me introduce you. Paul Melko is great. He writes good, funny, quick-paced Science Fiction novels. I love them. There are times when I’m in the mood for some heavy Hard SF. There are times when I want Weird Fantasy. Then there are times when I want just a fun Science Fiction read that makes me smile as I read it. Paul Melko writes those.

THE BROKEN UNIVERSE is actually a sequel to his novel THE WALLS OF THE UNIVERSE which in turn was a novel length version of his Hugo nominated short fiction story (also called the "The Walls of the Universe"). Instead of just telling you what the THE BROKEN UNIVERSE is about, I’m also going to tell you the set up for THE WALLS OF THE UNIVERSE and why this is such a fun place to be in. In a way, this review will serve as a review for both novels.

THE WALLS OF THE UNIVERSE is a story about Johnny Rayburn. One day Johnny--who works on his parents' farm and is saving up for college--runs into himself. This is another John from another universe who has a device that can skip between universes. Trusting himself, Johnny uses the device to check out another universe. What can the harm be, he can always skip back right? Wrong. The device can only move the wearer forward to the next universe and not back to the previous one. The novel follows the two Johns. One who is trying to understand the device so he can get home and get revenge on being swindled of his life. And the other is an imposter John who starts to try and build a life in the (to him) new universe.

It’s a great book. The characters are fun and easy to relate to. The prose is neat and concise. It’s the type of book that you read and suddenly realize you’ve been reading it for a couple hours.

I won’t give away the ending to the THE WALLS OF THE UNIVERSE or much about THE BROKEN UNIVERSE. Let’s just say that the story escalates beyond what is happening to two Johnnys in this multiverse. There are powers at work and several factions that also know about skipping from one place to the next.

Both books are just plain fun. There’s a nice balance of big ideas and grand schemes mixed in with smaller human moments and actions. The solutions that are come up with in some cases aren’t brilliant mind bogglingly complex schemes, but rather simple elegant solutions that feel real.

Surprisingly the stuff I enjoyed most about the books were the small things, the relatable bits. I’m usually a sucker for a good space opera and weird stuff, but here I found myself wanting to read about these characters and how these ordinary people would deal with extraordinary circumstances.

THE WALLS OF THE UNIVERSE and THE BROKEN UNIVERSE are both great starter SF books (THE WALLS OF THE UNIVERSE was featured in our SF 101 post). If you know someone who wants to give the genre a shot this is as good a way to introduce it to them as any I’ve found. Read them yourself while you’re at it.

Age Recommendation: 14+ maybe. Things get a little more complicated and confusing in Broken Universe.
Violence: A few not very detailed scenes.
Language: A smattering of words, not much.
Sex: Referenced, and not much.


Here are your links to grab these:

THE WALLS OF THE UNIVERSETHE BROKEN UNIVERSE

In the Lion's Mouth

I'm just not getting it. Science Fiction. I hate the fact that I sometimes sound like a broken record, but there's just so little SF out there that I've read to prove me wrong that I just can't help but feel jaded. The up-side is that as long as it's well-written, I'm not going to rip into too much, because if there's one thing that is consistent and good about these books, it's the prose.

IN THE LION'S MOUTH by Michael Flynn is the third installment in his most recent space opera series featuring the inimitable Donovan Buigh.  I wasn't very keen on the second, UP JIM RIVER, but I decided that to be fair, I had better read the first, THE JANUARY DANCER, before diving into this one.  Unfortunately, I needn't have bothered, for I just found more of the same:  a beautifully-written story with a swiss cheese of a plot that ended with me asking, "What was the point of that?"

The story this time around is framed by an agent of the Shadow, Ravn Olafsdotter, and is relayed to Donovan's daughter, Mearana, and his sometime lover, the Hound Bridget Ban, by Ravn because Donovan has, for reasons known to Ravn, gone missing.  Mearana and Bridget are eager to find Donovan, and so they abide the Shadow's presence in their home, instead of instantly killing her as an enemy, and settle down to listen to Ravn's words.

Ravn spins a tale that is varied and complicated.  Told from the point of view of Donovan, instead of through Ravn's eyes (don't ask me how this works--Donovan already has so many people in his head though that it didn't bother me too much that Ravn was, technically, now another one).  Donovan has chosen to return to Commonwealth space, and finds a civil war brewing, in which he becomes somewhat involved.

Similar to JANUARY DANCER, none of the details of the story seem to matter, as the tale jumps from one setting to the next with little to no connection other than through the vague intricacies of the Shadows and Hounds, the two major powers, of known space.  In the end, it is not the story that matters, but the unknown motives of Ravn in telling the story in the first place.  In this way, IN THE LION'S MOUTH was very much like the other two books in the series.  This similar structure was what had led me to the same final question each time:

What was the point of that?

In this case, it seems to be to elicit a particular response from a person of interest.

And that's all.

Sorry, but I just can't get behind that.  Despite the awesome writing, despite the cool history and universe that Mr. Flynn has developed here, despite the way in which--for very small periods of time--he grabs my interest in full by the characters or the world or the events of the story (before, in my opinion, quickly throwing it all down the drain), I have come to the conclusion that this is all nothing more than what I've come to expect, in general, from Science Fiction.  If you, like me, would rather enjoy both the beginning, middle, and end of a story, would rather read about awesome characters and powerful stories, why don't you try some of the Science Fiction authors we love instead.  After this read, I'm definitely going to be heading back that direction.

Recommended Age: 16+, though you should probably recommend something they'll enjoy better
Language: Very little
Violence: Gets pretty gory in the various deaths described
Sex: A handful of references.

Interested in this series?  Find it here:

THE JANUARY DANCER

UP JIM RIVER

IN THE LION'S MOUTH

Legion

I love reading short fiction by my favorite novelists. There is a nice sense of focus in these works, and they serve as a refreshing change of pace and scope while usually maintaining the integrity of that author's writing ability. See, I really like Brandon Sanderson's work. But sometimes I just don't want to read a 1000 page Stormlight Archive novel.

LEGION is a novella by Brandon Sanderson, published by the fantastic Subterranean Press. This novella follows Stephen Leeds--or Mr Legion as he is sometimes called--a man with a unique condition. Leeds has multiple personalities, but this just isn't a normal case of a man who hallucinates. His hallucinations live with him in his massive mansion. Each of these aspects help Leeds by offering their own specialized skill sets, and Leeds uses these skills as a consultant of sorts.

You see, Leeds is a genius, and those aspects help him channel it.

Well, this assumes you believe Leeds at all. He says he isn't crazy. But really, should we trust him?

This is part of the fun of a story like this one. A majority of the story left me wondering if this wasn't all some elaborate fantasy. Right off the bat, we are introduced to various aspects of Leeds' personality. The gun-crazy Navy SEAL, J.C.; Ivy, the shrink; Tobias the...well, guy who seems full of every history and political science fact ever; and even a guy who thinks he is a dethroned King. All in all, this is a terrific intro into a story. The hook is set right from the very beginning. Every time a new character was introduced, I wondered if this was the moment we find out this is all in his Leeds' head.

The story follows Leeds as he is asked to consult on a case about a missing man with a missing camera. But not just any ordinary camera. This one can take pictures of the past. George Washington shaving. Famous landmarks before film existed. The potential for a device like this is staggering. I'm not going to get much more into it, since that would ruin the fun of the story for you.

Brandon's wit is a bit more under control here, in my opinion. This prevents the pacing from halting and keeps the reader immersed in the story. We get some very Science Fiction concepts, and some huge hints that this novella was just a test piece for something much, much bigger. I desperately want to read more of this character. This felt like a delicious appetizer that hints at an amazing main course.

In LEGION, we get the epic feeling that Brandon Sanderson is known for, but in a condensed and focused format.

If you are a fan of Sanderson's work, purchasing this is a no-brainer. It's worth every penny.

Note to Brandon: If there is one thing that bothers me about this, it is the gun terminology. Please talk to our mutual buddy, Mr. Correia to get this all fixed. It would have made the story even better. Neither the main PoV or his hallucinations would have made the mistakes that they were making in the story. Especially since Leeds is a freaking genius.

Recommended Age: 14+ Language: Barely any, and extremely mild
Violence: Some, but none of it is described in wonderful, gory detail  
Sex: Nope Get it here:

LEGION